I'm not a fan of writing theatre reviews. I hesitate to give a negative review of any production just because it didn't speak to me, because I know from my own personal experience how hard it is to mount a serious production and my hat's off to anyone who pulls it off, regardless of the end result. But when Theatre Louisville (who I occasionally write a column, Suspension of Disbelief, for) asked me to report on an Actors Theatre of Louisville production of Charles Ludlam's The Mystery of Irma Vep, well, it made me even more of a hypocrite than I already was. (I worship Charles Ludlam.)
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